Showing posts with label playwright. Show all posts
Showing posts with label playwright. Show all posts

Tuesday, 27 January 2015

Review: Craving by Esther Gerritsen

I read this as my 'A book based entirely on its cover' for the 2015 Reading Challenge. I am quite easily pleased, so it was the curved edges of the book that were interesting for me.

I had a few disputes with the blurb of this translation from the Netherlander playwright. The book revolves around the disjointed relationship of Coco and her mother Elisabeth.  This is not simply an exploration of the Mother/Daughter relationship but also about the unraveling of a family and it's member and most notably the clash of mental unrest / illness in a household. This is all brought upon by Elisabeth's impending death.


I mentioned earlier that Gerritsen is a playwright, this shows through in her writing and the translation has picked up on that quickly. The dialogue in this novel is fantastic, and extremely poignant as the two main characters find it difficult to talk to one another and to express their true meaning. The dialogue is true to life, relateable and colloquial in a way that reflects it's original setting and language but is also accessible for the English language reader.

The use of flashback in the book is a brilliant tell of the characters, hindsight breeds multiple perceptions and the narrative switching between Coco and Elisabeth allows the reader to fill in the missing gaps as well as acknowledge the differences between each story. I came unstuck with the novel at the end, as Elisabeth is dying; always a sticky point for a writer as each reader has their own interpretation of the after-life. Elisabeth's description of passing is the most reliable narrative of the whole novel, once she is free of the pressures of her life and her own connotations.

Ultimately, this was a beautiful read. The translator has done a fantastic job of merging the two cultures, there is a visible seam between the two but it only adds to the creative mixture of this novel.

Monday, 18 November 2013

Enron by Lucy Prebble - Review

Enron by Lucy Prebble opened at Chichester Festival Theatre in 2009, transferred to the Royal Court Theatre to the Noël Coward Theatre in 2010 where it was a huge success. Enron also opened in America Enron premiered on Broadway at the Broadhurst Theatre on 8 April 2010 in previews, with the official opening on 27 April.

  Enron lets the viewer into the bubble of Enron and explores the prism that is creates for itself. Naturally the only way to get the audience out is to burst that bubble. The writing is excellent. There are full sweeping speeches that examine the intricate details of finance and the company whilst making these details accessible to the audience. Anyone I know will tell you that money, maths or business are my major weaknesses, and yet I enjoyed reading this play a lot. The large speeches are offset by small, quick dialogue between Lay and Roe or Skilling and Farlow, the play continues interchanging these modes of dialogue, the effect is that the audience is kept alert, waiting and on edge to see how the play will settle itself. Spoiler: it won't, it continues until the en to interchange. This effect mimics the development of Enron in the play, how it shifts around to transform and emerge only to transform again until the end of the play.
                   I particularly enjoyed the chaos. I Youtube-d the play so that I could see how the play moved. The blend of dance and music, of projection and theatricality seemed the perfect way to represent what really happened when the biggest oil and gas company of America fell.
                The characters are formed very differently, at times you like them and at times they seem very transparent but it is the blend of the faults of each character that reflect the whole of the play. Unfortunately I was only about ... 10 when Enron fell so I am coming to this play from a completely different perspective with only the hindsight of the credit crunch to fall back on as my experience of what it's like to see a company fall. With Enron being the biggest and first company to fall it feel weird to think that wasn't the norm ten years ago.
              The play does a great job of presenting the size of the crash for Enron, I think this is a great credit to the play and another reason that the media's are mixed so much. I don't think that theatre alone could have represented it so well. The whole play has a grunge / fringe feel about it, mixed with the office setting and the suit's it shows just how innovative the ideas where and how much they were playing with the future. The fringe feel allows the Prebble to stretch her voice past theatre and into the larger question.


 You can watch the trailer for the play HERE
You can also read more about Lucy Prebble and 4 other contemporary playwrights in a piece I've written for For Books Sake