My little wendyhouse, down the back of Internet's garden, behind the oak trees and stinging nettles... beyond the rabbit hole, take a left at the village of Cottingley Fairies. Bring your own tea cup.
Showing posts with label script. Show all posts
Showing posts with label script. Show all posts
Tuesday, 5 November 2013
Bookshelf Organisation.
Yesterday myself and my partner took on the dreaded task of merging our bookshelves! It took an entire day but this is the result. I can't decide if we're a bit awesome or a bit sad that is was such an adventure! (Pssst. It means we're awesome!). This is my entire book collection and about half of Luke's, so we'll definitely have to buy another book case. I googled different ways to organise them so I thought I'd make a post about how we did it.
We organised them in medium first so fiction, poetry, plays, art books, text books and other, and then we split them into genre from literary fiction to sci-fi, classics. We were going to alphabetise them but we have quite a lot of odd shaped books and Luke is a big collector of hardbacks so that's why it looks a bit haphazard. I quite like it that way.
The next plan in the library is to get another bookcase and maybe a display case or some book stands to display the special copies and make it more or a feature wall. That is the only wall that is free in the room I also have my piano and violin in there plus the desk and computer etc.
I'm quite impressed with our little collection.
Labels:
Book,
bookcase,
Classic,
Contemporary,
Creative Writing,
home,
library,
Natasha Borton,
organisation,
Play,
sci-fi,
script,
shelves
Tuesday, 24 September 2013
Three Birds by Janice Okoh - Review
The play follows three siblings, Tianna, Tionne and Tanika as they play house in the absence of their mother. The eldest Tianna has to deal with growing up and becoming the head of the household whilst Tionne is dealing with it all in his own way through mysterious and disturbing experiments, meanwhile Tanika, the youngest, is trying her best to understand and keep hold of childhood.
This play comes from Janice Okoh and is the product of 2011's Bruntwood Prize for playwriting.It was performed at The Royal Exchange in Manchester this year and has then went on to London's Bush Theatre.
Unfortunately I didn't get to see the play performed, but I have read the script after a few recommendations.
The script itself is brilliant, and refreshing. I tend to be attracted to the dark imagery of the macabre and this script, set along side a familiar home setting is a perfect juxtaposition. The situation the children find them in
escalates to unbelievable proportions, and Okoh has shown her talent by making it believable. Each character functions on their own in the play and as part of the cast and the detail of the play. This play works well with the cogs of theatre by enticing the audience / reader into itself and enveloping them thoroughly into it's world.Of particular note is the reveal at the end, which makes you want to re-read the play to look for clue's to the ending. The imagery builds upon itself to prepare the audience for the ending in a way here you half expect it, but being confronted with the macabre and bizarre is still disjointing. The layering of the script is particularly interesting, especially the small tear in these layers, as seen with the introduction of Mr. Mistoffelees the hand puppet. The true childish nature of these characters can be missed as they present themselves, particularly Tianna, as grown-up's but in these slips the reality of their ages and their circumstance is very daunting.
A word on the Bruntwood: this is obviously the quality of work that is being submitted to the prize and The Royal Exchange the product of quality to give something extra to these scripts. It is definitely a prize that carries a reputation for the winner and brings in new imagination to the theatre itself.
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